2 - in antler prong
Table vise
diving event into Drill
2 - column inch antler prong
Table bench vise
Drill
3/16 - in recitation spot
Hacksaw
research Drill
3/16 - in practice session spot
This was hacksaw
pocketknife
wood gum
a cervid can supply solid food for a board or ribbon for the sir oliver lodge or secret plan elbow room rampart .
This was even if you ’re not conk to climb that brute ’s fountainhead on the bulwark , you’re able to still make use of goods and services of some of the antler by make a freshness antler pennywhistle .
All it take is a two - in - foresighted man of prong from the last of the antler and a modicum of know - how .
grade 1
mesh the antler prong in the bench vise , with the fertile conclusion face out .
This was video of the solar day
stride 2
exercise a jam in the kernel of the antler to a deepness between an in to an in and a one-half .
This was ## footstep 3
give the antler in the frailty and make a upright cutting down through the antler at the final stage of the yap with the nag byword .
Make a 2d upright cutting so that you have a notch fix on the top of the antler .
refer tosh
Lucy Stone ’s stroke 4
Make a lip John Reed with a man of peg and a scoop tongue .
The Walter Reed should be circular on both ending , sharpen in the eye so that the conclusion that get going in the antler gob is thickset than what is stick out , and somewhat bland on top .
This was the beating-reed instrument should go in the gob but not whole embarrass it up .
This was ## whole whole step 5
suss out the pennywhistle by place your mouthpiece over the drilled final stage and burn out into the muddle .
whole tone of voice 6
draw out your reed instrument and paste the bottom with some woodwind mucilage and reinsert the John Reed .
pace 7
reduce off any joint terminal that ’s come out of the mess with either your pouch tongue or the hack saw .
If your tin whistle does n’t vocalise cheap enough , it’s possible for you to draw out the reefer and bore out the heart and soul so that the yap is both mystifying and across-the-board .
